PINOT GALLIZIO, Giuseppe. La Gibigianna. L’uomo di Alba. Torino: Edizioni d’Arte Fratelli Pozzo, 1960. [56 p.]; ill.; 27 x 30 cm.; brown library binding.
Second monograph of the Italian artist, following the much more modest publication of the Institut Scandinave de Vandalisme Compare in July of the same year (see PDF in high resolution at http://www.editions-allia.com/files/pdf_508_file.pdf).
- A brief introduction by Whilem Sandberg (1897-1984), then Director of the Stedelijk Museum, dated June 1960. An early promoter of the post-war European avant-garde movements, Sandberg had sponsored the “first international exhibition of experimental art”, COBRA, in November 1949, causing a scandal. He attempted to organize a Situationist exhibition at the Stedelijk, but a falling out with Debord meant the project never materialized (see https://situationnisteblog.wordpress.com/2021/11/30/guy-debord-et-als-letter-to-willem-sandberg-1958/).
- A color reproduction of La Gibigianna, an eight-part pictorial project inspired by an eponymous nineteenth-century Italian comedy.
- The bilingual (English/Italian) text “PINOT GALLIZIO, l’uomo di Alba”, by Maurizio Corgnati, an homage to the painter and his city
- A biographical sketch of the artist, with over 35 pictures (portraits, reproduction of paintings, etc.)
We locate 9 copies on OCLC of this early, beautiful homage to an artist who didn’t achieve broad recognition until the mid-1970s.